“There are very few people on the planet who have had more of an impact on how film, TV and video games sound musically today than Matt Bowdler. These sounds literally redefine what the word “preset” itself means, turning something that was traditionally "looked down on" in the past, into a highly exalted and competitive art form.“

Stephen Barton - 12 Monkeys, Jedi: Fallen Order, Watch Dogs: Legion

"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."

Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye

“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”

Martin Phipps - The Crown, Black Mirror, Peaky Blinders

"These inventive libraries have continued to breathe life into my staple synths for way past their sell by date; a real testament to Matt’s ability to stay on trend and even create trends. I’ve bought plugins like Serum, Phonec 2 or Repro to just use these presets."

Nainita Desai - Nautilus, The Deepest Breath, Call Of Duty

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

“The Unfinished sound libraries are intuitively designed to inspire new sonic and rhythmic concepts applied to today's cinematic and contemporary pop music alike. The production quality is perfectly balanced for seamless integration into music of all styles. Thank you!”

Tyler Bates - John Wick, The Punisher, Deadpool 2