“There are very few people on the planet who have had more of an impact on how film, TV and video games sound musically today than Matt Bowdler. These sounds literally redefine what the word “preset” itself means, turning something that was traditionally "looked down on" in the past, into a highly exalted and competitive art form.“

Stephen Barton - 12 Monkeys, Jedi: Fallen Order, Watch Dogs: Legion

“Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.”

Mac Quayle - Mr Robot, Ratched, American Horror Story

“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”

Martin Phipps - The Crown, Black Mirror, Peaky Blinders

“To have a creative sonic partner when putting together the musical world for a TV show or film is such a joy. Matt understands the projects we work on instinctively, and provides unique sounds to bring life to the characters.”

Michael Price - Unforgotten, Dracula, Sherlock

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

“Creating emotion, creating cinematic landscapes from synths is something rare and truly hard to find. In a world of near endless synth patches and libraries, Matt’s work to me stands out as focused on a narrative, on telling a story through sound and music. An idea that greatly resonates with me and how I compose.”

Trevor Morris - Vikings, Hunter Killer, The Tudors