“Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.”

Mac Quayle - Mr Robot, Ratched, American Horror Story

“There are very few people on the planet who have had more of an impact on how film, TV and video games sound musically today than Matt Bowdler. These sounds literally redefine what the word “preset” itself means, turning something that was traditionally "looked down on" in the past, into a highly exalted and competitive art form.“

Stephen Barton - 12 Monkeys, Jedi: Fallen Order, Watch Dogs: Legion

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

“The Unfinished sound libraries are intuitively designed to inspire new sonic and rhythmic concepts applied to today's cinematic and contemporary pop music alike. The production quality is perfectly balanced for seamless integration into music of all styles. Thank you!”

Tyler Bates - John Wick, The Punisher, Deadpool 2

“To have a creative sonic partner when putting together the musical world for a TV show or film is such a joy. Matt understands the projects we work on instinctively, and provides unique sounds to bring life to the characters.”

Michael Price - Unforgotten, Dracula, Sherlock

“Creating emotion, creating cinematic landscapes from synths is something rare and truly hard to find. In a world of near endless synth patches and libraries, Matt’s work to me stands out as focused on a narrative, on telling a story through sound and music. An idea that greatly resonates with me and how I compose.”

Trevor Morris - Vikings, Hunter Killer, The Tudors