VST Buzz Zebra Bundle deal
80% off selected Zebra soundsets......
THE UNFINISHED SYNTH SOUNDS HAVE BEEN USED ON OSCAR & BAFTA-WINNING FILM SCORES, INTERNATIONAL TV SERIES, AAA GAME SCORES & GRAMMY AWARD WINNING ALBUMS FOR OVER A DECADE; WORKING WITH THE LIKES OF HANS ZIMMER, MARTIN PHIPPS, LORNE BALFE, SPITFIRE AUDIO, U-HE & SPECTRASONICS.
“Creating emotion, creating cinematic landscapes from synths is something rare and truly hard to find. In a world of near endless synth patches and libraries, Matt’s work to me stands out as focused on a narrative, on telling a story through sound and music. An idea that greatly resonates with me and how I compose.”
Trevor Morris - Vikings, Hunter Killer, The Tudors
"These inventive libraries have continued to breathe life into my staple synths for way past their sell by date; a real testament to Matt’s ability to stay on trend and even create trends. I’ve bought plugins like Serum, Phonec 2 or Repro to just use these presets."
Nainita Desai - Nautilus, The Deepest Breath, Call Of Duty
"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."
Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye
“To have a creative sonic partner when putting together the musical world for a TV show or film is such a joy. Matt understands the projects we work on instinctively, and provides unique sounds to bring life to the characters.”
Michael Price - Unforgotten, Dracula, Sherlock
“The Unfinished sound libraries are intuitively designed to inspire new sonic and rhythmic concepts applied to today's cinematic and contemporary pop music alike. The production quality is perfectly balanced for seamless integration into music of all styles. Thank you!”
Tyler Bates - John Wick, The Punisher, Deadpool 2
“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”
Martin Phipps - The Crown, Black Mirror, Peaky Blinders